Share.

    36 Comments

    1. Longjumping_Stand889 on

      I thought we were trying not to disrupt indigenous cultures these days.

    2. HotelPuzzleheaded654 on

      So some cultures are fair game for appropriation but others aren’t?

      I don’t care either way but at least be consistent with the messaging.

    3. regprenticer on

      If you tried to challenge the *black-centricity* of something, say afro beat, I think you’d end up with a visit from the police.

      Of course people of all ethnic backgrounds can enjoy all music (cream drummer Ginger Baker was heavily involved in AfroBeat at one point and recorded with Fela Kuti, modern acts like Tune-Yards take inspiration from AfroBeat and so on) but there’s nothing wrong with saying that people who are part of a particular culture can be the largest consumers of that cultures musical representation.

    4. ferrel_hadley on

      I take it anyone disagree with this will be “importing right wing American culture war tropes”?

      Another one we can throw on the pile.

    5. ChewyPilchards on

      What a waste of taxpayer money. Could’ve gone towards more affordable housing, housing the homeless, etc. Then again why would they want to help our own?

    6. ShitFuckCuntBollocks on

      I wonder when the ‘black-centricity’ of rap music going to be investigated? Or would that be racist?

    7. All happening under a so called “conservative” government. The fact they never got round to abolishing some of these bodies or even just replacing the leadership with right wing people is indicative of the fact they approve of them.

      I doubt a labour government would fund studies which investigate the benefits of British imperialism on the African continent.

    8. Scott_Oatley_ on

      I may come at this from a slightly different perspective because I am in the realm of academia. I’m slightly tired of these rage baiting posts about the academic system. Millions of pounds are given in grants, scholarships, and projects to research some quite esoteric fields. Not all of these projects are successful. Not all of these projects are necessarily supported by everyone. All of these projects are absolutely needed however. Science isn’t a linear trajectory that we know a priori what is and is not successful.

      Taking a step back and reading the article, this particular project falls foul of using certain key words that really infuriate a particular sub-section of British society. If you actually read what the projects aims are: 1) to research the landscape of a particular sub-genre of music and understand why certain types of people engage in that social community compared to others, and 2) attempt to produce suggestions to promote greater social cohesion. These projects aims appear to be quite well thought out, and you would hope anyone living in an open minded multicultural society would embrace the idea of investigating cultural sorting.

      The issues with this piece are twofold. The first, which I will call an ‘actual’ issue is a methodological critique. Their use of ‘ask a friend’ or to use the scientific name for it, ‘snowball’ sampling is a problematic sampling technique that is normally only used when no other option is available. Now, my expertise is not in the realm of sociology of music so maybe this is the case, generally however, snowball sampling is used for sample populations that are in very vulnerable situations where trust is of the utmost requirement.

      With that being said, I’ll move on to the second issue, which I think is best labelled a ‘culture war’ issue. I think the vast majority of people who get angry at this project will see the term ‘decolonisation’ and see red. The concept of decolonisation is a valid one – if used correctly. It seems that a lot of people treat the term how many thought of the term ‘feminism’ a decade or so ago. To decolonise doesn’t mean that white people are bad or wrong in the same way that feminism doesn’t mean that men are bad or wrong. To try to provide a more robust critique, for this project to be viable I would like to see a very robust justification of the use of a ‘decolonial’ lens in this analysis. At first thought I can not see why it would be used, but as I said, I am not an expert in this field, and with adequate justification from the authors that would persuade me.

      As a small aside, it is a frustrating point that needs to be made that academic jargon does not always mean the same thing that layperson use of the same terms does. We see this all the time with the academic definition of racism and the common use of the term. It is especially difficult in the realm of social science because there is a huge overlap between terms that mean different things between academics and laypeople that simply doesn’t exist in say physics or biology.

      Overall, I think it is a really depressing landscape we have where scientific progress is discarded as soon as it appears to not ideologically line up with our political proclivities. So long as the project has: 1) an adequate justification, 2) ethical approval, 3) follows scientific practices, then there is not much of an argument against this sort of research.

    9. Glad_Buffalo_5037 on

      In other news, ‘Black-centricity’ of Reggae music investigated in £1.5m academic study

    10. Wait until they investigate the centricity of Reggae, I’m going to put on some Alpha Blondie and grab some popcorn while I wait.

      Cool way to blow £1.5m though /s

    11. limeflavoured on

      To be honest this has the potential to be an interesting study. Folk music is *very* white as a genre, as to some extent is acoustic singer / songwriter stuff, which obviously is influenced by folk music to some degree (or, at least, influenced by MacColl, Lloyd and Seeger’s interpretation of folk music via the folk revival).

      Whether it should be publicly funded is a different issue, but the Telegraph has been looking for things like this constantly to stoke their “anti-woke” agenda.

    12. ElephantsGerald_ on

      What’s with the sudden increase in “news” stories questioning the validity of academic research projects? Who here or at the telegraph actually knows anything about this particular niche of academia, or about the specific funding it’s been awarded? We need to stop celebrating ignorance.

    13. Just to provide a slightly saner comment than some of these others so far – Looking online the only thing I can see mentioned is the Access Folk project – [https://accessfolk.sites.sheffield.ac.uk/about](https://accessfolk.sites.sheffield.ac.uk/about)

      Firstly this grant was awarded nearly 2 years ago so a bit strange for The Telegraph to pick up on it now. Secondly, entirely unsurprisingly, they seem to be quite seriously misrepresenting what is written up to be a general effort to bring more people into English folk music and ensure the traditions survive going into the future. More culture war bollocks, don’t fall for it folks.

      E – The relevant academic – [https://www.fayhield.com/about.html](https://www.fayhield.com/about.html)

    14. Longjumping_Dog_4068 on

      I suppose this is an example of the wasted spending reform talk about. When Labour comes to power I’m sure they’ll put a stop to this right….

    15. hadawayandshite on

      ‘’music department at university does some research into music’’….well glad to see they’re doing their job

    16. Ah yes, the racist, colonising influenced musical tradition and genre of “checks notes”, historic British music.

      Wait, what, even 50 years ago, Britain with 95+% white?

      Shocker that the traditional music would be white dominated, really.

    17. I swear all the telegraph does these days is make articles about some irrelevant “study” that will be forgotten in six months, to get people mad

    18. mycelialsignals on

      Just gonna throw my little piece into the conversation here. These things get so divisive but I think the truth of these things is very complicated and needs a nuanced approach if you want to dive into it.

      I think any efforts to remove barriers that exist to people getting into any art form they would otherwise is a fine cause. There are lots of examples of it, a non racial one would be how classical music is marketed heavily to more wealthy audiences. This creates an image where people who don’t belong to that demographic don’t feel like they belong in symphony halls, this is a sad state of affairs IMO!

      I would also add that the genres themselves often cause a lot of these issues. Putting so much diverse music under the umbrella term ‘folk’ is (again IMO) unhelpful. There are folk traditions from all over the world and if it’s true that there are barriers to people of all backgrounds discovering this stuff, that needs to be sorted out!

      I’m a banjo player and that instrument is a perfect example of how complicated all this is. It is very much an African instrument that was co-opted by minstrel acts. There have been amazing efforts to ‘decolonise’ the banjo and uncover its true history. Is this an attack on white people? I would hope that by learning the truth about its history, it would make it more accessible to more people and turn down the tensions that surround it. There’s an amazing book called “Well of Souls” if anyone is interested, highly recommend it.

    19. NoBadgersSociety on

      What’s the point of this story? Can universities not study whatever the fuck they like?

    20. idontlikemondays321 on

      Because white parents expose their children to folk music more often than black parents do. Because folk music is played in more ‘white spaces’ such as village fetes, farmers markets and grassroots festivals. There, saved you £1.5 million.

    21. Cold_Philosophy on

      Look at who’s published this article and note the slant that that rag has put on it. Judging by some of the comments, they’ve been successful in causing ‘outrage’.

      Read the article and you’ll find it is a group doing a study to find out why folk-music currently appeals to those they believe it does. I think there’s an implication that maybe it could appeal to a wider audience *which would be no bad thing*. There’s no criticism of ‘whiteness’ or indigenous culture in the study.

      Mind you, if “asking a friend” is one of their methods, the study is likely to be more than a little flawed. The sum mentioned isn’t huge either. This asking of friends is probably all they’ll be able to afford.

    22. Loud-Maximum5417 on

      And rap and reggae music is dominated by black artists. There, I just saved a few million quid, can I have some?
      Also, wtf is decolonisation? Going back to the picts flinging bullroarers around their heads whilst sat in a barrow?

    23. Rigormortis321 on

      Bargain Offer : I’d happily do a study into why Folk Music is unremittingly awful for half the price.

      So long as I don’t have to listen to any of it, obviously.

    24. antlered-godi on

      Can’t we just listen to it and enjoy it without the ‘Thought Police’ telling us, yet again what we have to think/do/say????

    25. Swap white for any other race, and if you think that’s racist, yes, it’s racist.

      Like jesus you wonder why people fall into right wing ideologies when shit like this happens

    26. Grotbagsthewonderful on

      Looking at how bad the election is going why is the Torygraph still bothering with culture wars?

    27. Main_Cauliflower_486 on

      The telegraph have really swapped out the dog whistle for a fuckin vuvuzela haven’t they 

    28. Jesus, what an article. At least they let someone involved have the final paragraph:

      “Fay Hield, professor of music at the University of Sheffield, said: “The term decolonisation is often misinterpreted. Our research highlights the different under-recognised communities who have helped to establish cultural life in England. Folk music is a constantly evolving genre, which has taken influences from a diverse range of people over centuries. It is part of the UK’s cultural heritage and should be celebrated. Our aim is to break down the barriers for people to get involved in folk music. Opening up the genre to different audiences will help to sustain the nation’s folk music for decades to come.”

    29. Spiritual-Ad7685 on

      Good to see the telegraph continuing to slide into mail level frothing at the mouth anger

    30. LongAndShortOfIt888 on

      This sounds like an extremely loaded article, would like to see a more neutral article

    31. Brief_Inspection7697 on

      Tired of this luddite bullshit. These culture-wars attacks on academia are fucking sinister. And the commentators joining in the pitchfork waving should be ashamed of themselves.

      Mods, can we have a ban on these obvious rage-baits posts? People who enjoy that kind of anti-intellectualism have more than enough forums for their tiresome anger such as Facebook or the Daily Mail comments section

    32. SongOTheGolgiBoatmen on

      Look, it’s dead simple – west of the Urals and north of the Rio Grande, it’s folk music. Anywhere else, it’s called world music. Surely there’s no controversy to be found in that?